Session B Archives

In the spirit of the inaugural General Conference in the Middle East, North Africa and South Asia (MEASA) region, ICOM Dubai 2025 promises to be a groundbreaking and uniquely transformative experience for museum professionals, cultural leaders, and community members globally.

The scientific programme features engaging panels, interactive sessions, lecture performances, masterclasses, workshops and more, offering an exciting assemblage of critical cultural dialogue and cutting-edge innovation. Paralleling the diversity of Dubai, the organised sessions set an exemplary balance in the representation of not only age, geography, experience, and skillset, while also showcasing the wide range of museum interests, disciplines and global perspectives.

Under the theme ‘The Future of Museums in Rapidly Changing Communities’, we aim to work together to preserve, share, and delve into our cultural identities, reinforcing the role of museums as vital societal pillars and catalysts for growth. The Scientific Programme will interweave three sub-themes, ‘intangible heritage’, ‘youth power’, and ‘new technologies’, across the three days to address the most pressing challenges and opportunities facing museums today.

Each day is structured to explore a distinct dimension of rapidly changing communities, where sessions address the three sub-themes equally and together.

Considers the critical decisions museums make about which stories, assets, and cultural elements to prioritise, while maintaining their crucial role as stewards of historical truth, authenticity, and accuracy. In an era of technological change, misinformation, and climate challenges, how are preservation practices and the integrity of narratives affected?

Emirati woman demonstrating traditional palm frond weaving for ICOM Dubai 2025.

Welcome to Dubai, and welcome to the future of museums!

In the spirit of the inaugural General Conference in the Middle East, North Africa and South Asia (MEASA) region, ICOM Dubai 2025 promises to be a groundbreaking and uniquely transformative experience for museum professionals, cultural leaders, and community members globally.

The scientific programme features engaging panels, interactive sessions, lecture performances, masterclasses, workshops and more, offering an exciting assemblage of critical cultural dialogue and cutting-edge innovation. Paralleling the diversity of Dubai, the organised sessions set an exemplary balance in the representation of not only age, geography, experience, and skillset, while also showcasing the wide range of museum interests, disciplines and global perspectives.

Under the theme ‘The Future of Museums in Rapidly Changing Communities’, we aim to work together to preserve, share, and delve into our cultural identities, reinforcing the role of museums as vital societal pillars and catalysts for growth. The Scientific Programme will interweave three sub-themes, ‘intangible heritage’, ‘youth power’, and ‘new technologies’, across the three days to address the most pressing challenges and opportunities facing museums today.

Each day is structured to explore a distinct dimension of rapidly changing communities, where sessions address the three sub-themes equally and together.

Looks at how museums reflect and adapt in response to global shifts in societal values, cultural norms, and demographic changes within communities. This day offers actionable insight into how museums can cultivate representative and responsive institutions that serve the changing needs of the public.

Welcome to Dubai, and welcome to the future of museums!

In the spirit of the inaugural General Conference in the Middle East, North Africa and South Asia (MEASA) region, ICOM Dubai 2025 promises to be a groundbreaking and uniquely transformative experience for museum professionals, cultural leaders, and community members globally.

The scientific programme features engaging panels, interactive sessions, lecture performances, masterclasses, workshops and more, offering an exciting assemblage of critical cultural dialogue and cutting-edge innovation. Paralleling the diversity of Dubai, the organised sessions set an exemplary balance in the representation of not only age, geography, experience, and skillset, while also showcasing the wide range of museum interests, disciplines and global perspectives.

Under the theme ‘The Future of Museums in Rapidly Changing Communities’, we aim to work together to preserve, share, and delve into our cultural identities, reinforcing the role of museums as vital societal pillars and catalysts for growth. The Scientific Programme will interweave three sub-themes, ‘intangible heritage’, ‘youth power’, and ‘new technologies’, across the three days to address the most pressing challenges and opportunities facing museums today.

Each day is structured to explore a distinct dimension of rapidly changing communities, where sessions address the three sub-themes equally and together.

Explores the vital role museums play in helping communities navigate and access opportunities amongst social, economic, and environmental challenges.

Welcome to Dubai, and welcome to the future of museums!

The ICOM Dubai 2025 programme of tours and excursions promises to be an unparalleled experience, designed to immerse participants in the vibrant culture, history, and dynamism of the United Arab Emirates. Taking place on Sunday 16th November, 2025, this exciting programme will offer a series of tailored excursions and events that will showcase the UAE in all its diversity, blending the country’s unique mix of rich traditions and hyper-modernity.

Participants will explore all seven emirates, each with its own distinctive identity, yet collectively embodying the UAE’s essence. From world-class museums and institutions in urban centres to smaller, more intimate cultural spots deeply rooted in local heritage, the programme will offer something for every interest. The programme will take participants on a journey to explore the UAE’s living heritage, engage meaningfully with a dynamic new generation of professionals and creatives, and experience some of the most innovative technologies shaping the cultural sector.

Expect to visit a wide range of sites and destinations, spanning multiple disciplines including archaeology, art, architecture, ethnography, performing arts, craft, culinary art, history, design, sustainability, and more. Participants will have the rare opportunity to step into the UAE’s past at significant archaeological sites and historical landmarks, witness exceptional contemporary architecture, explore the living heritage of the UAE and experience how the UAE has become a global hub for innovation, technology, and sustainable development. A memorable feature of this Emirati journey will be experiencing many of the UAE’s sixteen intangible heritage practices that are inscribed on UNESCO’s Intangible Cultural Heritage List.

The ICOM Dubai 2025 programme of tours and excursions is designed to enhance the conference experience, offering participants the opportunity to connect, share experiences, and immerse themselves in the culture of the United Arab Emirates. Stay tuned for a detailed list of sites and experiences to be revealed soon!

Traditional Emirati architecture the Sheikh Saeed Al Maktoum House, featured at ICOM Dubai 2025

Digital Transformation in Cultural Heritage: Leveraging Data, AI, and Digital Tools in the Production and Dissemination of Audiovisual Content

The digital era is driving a profound transformation in the cultural heritage sector, reshaping how content is produced, curated, and distributed. How can cultural institutions and content creators harness data, AI, and digital tools to expand access to cultural and audiovisual content? How can they use AI, digital tools and media to offer an open space for people to communicate, to connect culture to culture and person to person?
Main Areas of Interests of this session are:
– AI and Machine Learning in Cultural Content
– Digital Tools for Cultural Content Dissemination
– Digitisation and Preservation of Cultural Heritage
– Emerging Technologies in Audiovisual Production
– AI and Technologies for a “Museum of Love, Understanding and Connection”

Presentation of CECA’s Research, Best Practice and Young Members awards

CECA organizes every year for its members the possibility to submit a project within the framework of three international competitions;
– The Best Practice Award, a tool to improve museum education internationally
– The Colette Dufresne Tassé Research award
– The Young Members award
More than thirty projects are submitted each year to three international jurys
Three Best Practice awardee projects, two Research awardee projects and one Young Member awardee project will be presented by their wilnners and the session will end with the official award ceremony

Youth Power and New Technologies

We will dive into the pivotal role of young people in forging the Egyptian and Sudanese museums and collections of tomorrow. Youth is the power engine that is needed to move ahead and navigate an ever-changing world, while museums, and not least the ones with Egyptian and Sudanese collections possess a unique potential, offering young people a window into the past, a tool for reflection on the present, and a platform for shaping the future.
As communities undergo swift transformations driven by technological advancements, combined with the rise of distance learning, there is an opportunity for museums to tap into the potential of new technologies to create new forms of expression, enhance audience engagement and visitor experiences, and improve operations.

Homo Viator. Dressing Nomads, Travelers, Migrants and Pilgrims.

The nomadic lifestyle is connected with the beginnings of many civilizations, but it is also an important feature of the culture of numerous contemporary societies. The need to travel is an indispensable part of human life. During ICOM GA 2025 in Dubai, the international committee ICOM Costume wants to address for its paper sessions the issue of clothing for different kinds of journeys, in all aspects of this phenomenon and from all of communities, regions and times… This overarching theme also seeks to explore tangible and intangible heritage in rapidly changing communities. We seek contributions that examine a wide range of case studies and theoretical approaches, including, but not limited to, the following: Tradition in nomadic and travel dress; Dressing ancient nomads; Dressing contemporary nomads; Travel and migration; Dress accessories.

Future Museums of (GLASS) and Rapidly Changing Communities

Although the Corona disaster that has threatened us in recent years has finally come to an end, the social environment around us is changing rapidly and is by no means stable, with natural disasters in various regions, destruction caused by war and global political instability.

However, in this environment, the arts have always served as a unique communication tool to connect people in a friendly and peaceful manner, transcending cultures and ethnic groups. We look forward to your presentation of examples of outstanding communication activities in your museum, institution or academic institution, including ongoing or innovative educational outreach through glass art and new ways to engage viewers. By sharing these initiatives with our members, who have glass collections from around the world, we hope to contribute to the international community by further expanding the museum as a place of communication that is close to each of our communities.

Museum Architecture and Techniques and New Technologies

Museums are increasingly leveraging digital formats to present tangible and intangible heritage. This session explores how emerging technologies are reshaping museum architecture and exhibition design (flexible spaces, interactive exhibits, use of new technologies) with a special focus on the empowerment of audiences. It examines how digital tools, interactive design, and immersive experiences can safeguard heritage while making it more accessible and engaging, especially for younger audiences. Additionally, the session will address the evolving relationship between physical and virtual museum spaces, immersive and interactive exhibitions, combined with material choices, that promote a deeper emotional connection to cultural practices and histories.

Adornment and Identity in Spatial Design and Objects

This joint session between DEMHIST and DESIGN (formerly ICDAD) explores adornment in domestic environments as a form of personal expression and cultural identity, as seen in museum architecture, collections, and display. It invites papers on house museums, decorative objects, ornament, and interior design, considering how domestic interiors reflect identity, aesthetics, social roles, and historical context across time and place. Period rooms, furnishings, and objects reveal both individual tastes and broader artistic movements.
Papers that engage with one or more of the ICOM Dubai 2025 subthemes of “intangible heritage,” “youth power,” and “new technologies” are especially welcome. Topics might include sustaining craft traditions, engaging younger generations with historic design, and using digital tools to reinterpret or present domestic spaces.
With perspectives from both DEMHIST and DESIGN, the session aims to foster cross-disciplinary dialogue on how domestic adornment shapes and reflects lived experience and how museums preserve and share these narratives with the public.

From talk to Action with a Global Perspective: What does Museum Decolonisation Really Look Like? Decolonisation across Different Contexts

This conference session addresses a pressing and often uncomfortable question: Are museums truly transforming or engaging in symbolic gestures to appear progressive? In recent years, many institutions have made public commitments to “decolonisation”, but the substance behind these declarations is often unclear. We invite contributions that critically assess whether Western museums are enacting meaningful change or simply adopting the language of decolonisation without altering foundational power structures.

Conversely, we are interested in opening the conversation beyond the often Euro-American-centric lens and recognising that decolonisation means different things in different historical, cultural, and geopolitical contexts. We encourage contributors to explore how museums in the Global South, Indigenous contexts, or formerly colonised regions approach and understand decolonisation in ways that may differ from those of Western institutions.

1. From Talk to Action — What Does Museum Decolonisation Really Look Like?

Presenters are invited to critically examine how we might distinguish between genuine structural change and more superficial effort such as updated labels, renamed galleries, or the hiring of diverse staff without accompanying shifts in institutional power. Contributors may explore how progress in decolonising museums can be meaningfully evaluated, whether through repatriation efforts, changes in governance and staff demographics, community participation, or other tangible criteria. This theme also encourages reflection on whether museums are truly transforming their internal cultures or merely changing their external image, and whether they are fundamentally rethinking the ways they collect, interpret, and display objects—or simply rebranding colonial collections. Submissions may include both constructive case studies of institutions undergoing radical change and critical analyses of those that have failed to follow through on decolonial commitments

2. Global Perspectives — Décolonisation accross Different Contexts

Possible directions for papers may include explorations of how the Western Museum model itself is rooted in colonial ideology, and how institutions outside the West are challenging or adapting this framework. Authors might examine the differences between postcolonial and settler colonial contexts — for example, comparing how decolonisation is approached in Australasia, Africa, or any other former colonial context, and how historical legacies and current political realities influence museum practices. Indigenous-led museums and cultural centres may offer grounded examples of decolonisation from the community level, providing valuable insights into alternative models. Papers could also consider how museums in formerly colonised countries handle the display of colonial-era objects or represent their own cultural narratives in ways that subvert dominant colonial interpretations. Cross-cultural comparisons are especially welcome, such as examining repatriation efforts across regions or contrasting community engagement strategies in different national contexts. Finally, the role of language, indigenous knowledge systems, and oral histories in shaping curatorial narratives invites reflection on how decolonisation intersects with broader questions of representation, authority, and interpretation.

Session 2: What Technology Enhances – Digital Innovation and Artistic Expression

Technology is reshaping the way art is created, preserved, and experienced. From digital curation in museums to AI-generated art and virtual reality exhibitions, new technologies offer both opportunities and challenges in representing diverse artistic traditions. This session explores how technological advancements can enhance our understanding of ethnicity in art, bridge cultural gaps, and expand accessibility while also questioning potential risks such as cultural dilution or digital exclusion.

Transformations in Museum Practice Through Intergenerational Change

One of the most important forces pushing transformation in museum practice is youth. In this session, ICME wants to address the way museums and their staff are responding to youth-led initiatives and youth participation, and to their demands for activism and justice. Particularly, we would like to focus on how collaboration with new generations can provoke changes in leadership structure, museum vision and research agendas. Are these collaborations taking museums to a genuine and meaningful shift in policies or practice, or are they superficial? How are museums engaging with younger generations as partners and visionaries? We invite participants to think about what younger generations want from museums today, and how we are meeting their expectations as cultural institutions.
Moreover, in this session we want to explore how we define “youth” in museum practice. Are we talking about temporal age or newness in practice or ideas? What happens when youth is also understood as a political position and discursive approach that challenges the conventional and insists on alternative knowledge(s) and futures?

The Landscape of Memory and Resistance Through Music and Performance

Music, while often thought of as intangible heritage, is also reflected in the material culture found in many types of museum collections. The ubiquity of music in cultural life, the myriad ways in which it delights and moves people, and its rich scope for cultural significance at many levels, make music and its tangible heritage important fields of inquiry and collaborative research. Musical instruments may be viewed at the heart of such investigations, yet when placed within historical and contemporary contexts, musical practices may be intertwined with other artefacts which also embody and express cultural identity, social, political, and spiritual ideas and values. Best practices in museum work allow for new ways for society to see, hear, access and engage with tangible and intangible heritage, and learn about the histories, artistry, craft, and techniques. The importance and fragility of such work is directly impacted by current wars and conflicts, suppressing and destroying material and immaterial cultural heritage.

Academic Program

Academic exchange in the field of interest of ICOMAM (Arms & Military). Topic: The Future of Museums in Rapidly Changing Communities

Youth Power—Co-Creation, Activism, and Digital Fluency

Today’s youth tend to be technology and trend savvy, creative, innovative, compassionate, and curious, but they are also vulnerable to a 24-7 virtual avalanche of information and images that target them to think and behave in certain ways. How do museums connect, inspire, and engage them in this crowded environment of fast-paced and constantly changing messages, images, and modes of digital communication?

Through presentations and interactive discussions, ICOM COMMS (former MPR) will address topics of interest to museum communicators, marketers, fundraisers, and community engagement specialists, including youth-led marketing initiatives, intergenerational engagement strategies, and youth-focused fundraising models.

Collecting the Digital: Rethinking Materiality in Science and University Museums

Digital technologies present a unique challenge for science and university museums. Unlike traditional scientific instruments or artifacts, digital innovations—such as artificial intelligence, algorithms, and data-driven research tools—often lack a physical presence that corresponds to their profound societal impact. This session explores how museums can collect, document, and interpret digital and contemporary scientific heritage in ways that preserve both their material and conceptual significance.

Bringing together perspectives from universities and museum professionals, this session will examine key questions: How do we collect and exhibit AI and other digital technologies? When is the physical object necessary, and when can alternative collecting strategies be employed? How do decisions about what to collect shape future research and public engagement?

Through a keynote presentation, case studies, and discussion, this session will highlight innovative approaches to collecting scientific heritage from university labs and beyond. Rather than providing definitive answers, it will raise critical questions about the evolving role of collections in the digital age, balancing materiality, research, and dissemination.

Leadership and Strategic Advocacy

In the light of declining public funding, museum leaders find that their role increasingly requires effective advocacy to leverage new sources of funding and influence decision-making. Among the tools of advocacy are compelling evidence of the beneficial social and economic value of museums and familiarity with existing cultural policy. In addition, however, campaign development, pitching an idea, identifying decision-makers, building a stakeholder base, and effective lobbying strategies are also essential. This session will explore values-based advocacy for museum leadership to build sustainable futures.

Moderator: Hans van Bunte (INTERCOM)
Keynote speakers: Asma Ibrahim (ICOMON); Terry Nyambe (ICOM Zambia) TBC
Flash presentations: call for papers related to the synopsis

Literary and Composers’ Museums, House Museums of Writers and Musicians towards the Future

Literature, music and poetry are an intangible heritage that literary and composers’ museums try to make visible. Making the invisible visible is the mission of our museums. How will museums of the future work? What kind of installations will they have to make the museum interesting, engaging and interactive? A very important task of our museums is the ongoing education of adults of all ages, involving the community in the life of the museum, promoting the reading of literary works, spreading and disseminating the poetic heritage, the promotion of music and musical practice, the visit of places linked to writers and composers or narrated in their literary works. Literary and musical museums, house museums of writers and composers’ work in this field of activity and present their good practices, their seminars and conferences on this topic.

Interpreting History and Archaeology at Regional Museums – Beyond Display and Innovative Interpretation of Archaeological Heritage

Integrating advanced technology into archaeological practices has revolutionized how researchers uncover, document, and interpret the past. During excavation and documentation, tools such as LiDAR, 3D laser scanning, and GIS enable precise mapping of sites, even beneath dense vegetation/urban layers. These methods enhance accuracy and preserve fragile artifacts by reducing physical handling. Beyond the field, technology plays an equally critical role in communicating archaeological findings to the public. Museums now employ Virtual Reality (VR) to transport visitors to ancient sites, while Augmented Reality (AR) overlays interactive reconstructions atop excavated ruins or artifacts. Interactive touchscreens and holographic displays contextualize objects with multimedia narratives, bridging the gap between ancient cultures & modern audiences. Digital databases and online platforms, such as 3D Heritage Archive, democratize access to discoveries, while AI-driven apps tailor educational content to diverse learning styles. By merging cutting-edge technology with traditional archaeology, researchers & educators foster a deeper, more inclusive understanding of humanity’s shared heritage

Cycling Cities: A Research Model for City Museums

Your City Next! Researching and Curating Cycling Histories (workshop)

Bicycles, once novel, then old-fashioned, are back again. Professor Ruth Oldenziel (Technical University Eindhoven) and Annemarie de Wildt (emeritus curator Amsterdam Museum) present lessons from the Cycling Cities international network and insights from Bicycles Forever exhibitions from Ghana to the Netherlands.

In a hands-on 90-minute workshop they will share inspiring global examples of how cycling histories have been turned into engaging exhibits. Then participants will work in groups to brainstorm, sketch, and pitch ideas for cycling city exhibitions rooted in their own urban experiences. We will explore methodologies for researching and curating urban cycling histories across diverse contexts. Expect lively discussions, rapid idea generation, and a focus on storytelling that connects past, present, and future cycling cultures. Come ready to collaborate and reimagine how museums can champion cycling in the city, including in your own city.

The Future of Collecting

ICOM Dubai 2025 invites us to envision the future of museums and communities together. COMCOL takes on this invitation and will use the time of this session to exchange ideas of community focused collecting and how this poses new questions – ethical, legal, social, psychological and museological. How to rethink collecting when building relations as practice of care becomes first before the care of the object, when shifting ideas about ownership and authority affect collecting practices.

Traveling Exhibitions Workshop

ICOM Exhibitions brings the pros to you! In this workshop, industry experts will share their extensive experience in managing and touring exhibitions, both large and small. Participants will gain valuable insights into the key aspects of planning and executing a successful traveling exhibition, including: Topic Selection: Learn how to choose compelling and relevant themes that resonate with diverse audiences. Vendor Agreements: Understand the essentials of negotiating and managing agreements with vendors, ensuring smooth collaboration and clear expectations. Touring Artifacts: Explore the considerations involved in deciding whether to include artifacts in your exhibition, including conservation, security, and legal implications. Logistics: Delve into the practicalities of transporting, installing, and maintaining exhibitions across multiple venues. Rental Agreements: Gain knowledge on drafting and negotiating rental agreements that protect your interests while fostering successful partnerships. Whether you’re new to traveling exhibitions or looking to refine your approach, this workshop will provide you with the foundational tools and strategies needed to bring your exhibitions to life on the road.

Young People Shaping the Future of Museology through the Lens of the SDGs

ICOFOM Workshop: Young People Shaping the Future of Museology through the Lens of the SDGs

Workshop – Led by Jamie Allan Brown (ICOFOM and the University of St Andrews) and Kaye Hall (ICOM Barbados and the Barbados Museum & Historical Society). The ICOFOM Youth Workshop Series is a special project funded by ICOM’s Strategic Allocation Review Committee (SAREC), running from 2022 to 2025. Grounded in research led by the University of St Andrews in collaboration with ICOFOM, this three-year global initiative creates safe spaces for young people, early-career practitioners, and those working with youth to engage in critical dialogue. In partnership with museums and heritage organisations, the project spans 18 countries and territories, delivering over 19 workshops worldwide.

Participants explore how museums can foster climate literacy, advance the Sustainable Development Goals (SDGs), and support community adaptation strategies. Rooted in critical pedagogy and socially responsive museology, the series draws inspiration from youth engagement to promote mutual learning between young people, museum professionals, traditional knowledge holders, and other stakeholders. This ICOFOM-led workshop will offer both a reflection on the global series and an opportunity for participants to contribute to its findings. The session is open to a maximum of 50 participants.

ICOFOM Workshop: Museum Pedagogies in times of change

Workshop – led by Dr Sarina Wakefield, Professor Karen Brown and Aisha Al Muftah. With the burgeoning museum landscape in the Gulf and wider Arab region, there is a pressing need for training new and existing museum professionals. This workshop, open to all interested ICOM members, will explore training needs in the 21st Century through a participatory workshop focused on international perspectives and debates on the role of museum pedagogies. Identifying the skills and practices of different cultural contexts garnered through ICOM regional voices will lead to concrete evidence for future research and partnership working. Open to a maximum of 50 participants.

How sustainable is the future in light of the rapidly changing environmental and social effects on communities?

A panel discussion will explore the intersection of social and environmental sustainability with sustainable development practices in museums, climate action, and environmental justice. The conversation will reflect on how the 2030 UN Agenda incorporates intangible heritage as part of the solutions for sustainable futures, and how museums can foster positive changes through community knowledge and collaboration.
Three diverse guest speakers from different parts of the globe will share their experiences, alongside insights from ICOM SUSTAIN and NATHIST regarding sustainable development and climate justice through museum initiatives

Session B

Session B 12th November 2025, 16:30 – 18:00 (Subject to Modifications)

B-1

AVICOM

Digital Transformation in Cultural Heritage: Leveraging Data, AI, and Digital Tools in the Production and Dissemination of Audiovisual Content

B-2

CECA

Presentation of CECA’s Research, Best Practice and Young Members awards

B-3

CIPEG

Youth Power and New Technologies

B-4

COSTUME

Homo Viator. Dressing Nomads, Travelers, Migrants and Pilgrims.

B-5

GLASS

Future Museums of (GLASS) and Rapidly Changing Communities

B-6

ICAMT

Museum Architecture and Techniques and New Technologies

B-7

DESIGN (ICDAD), DEMHIST

Adornment and Identity in Spatial Design and Objects

B-8

ICETHICS

From talk to Action with a Global Perspective: What does Museum Decolonisation Really Look Like? Decolonisation across Different Contexts

B-9

ICFA

Session 2: What Technology Enhances – Digital Innovation and Artistic Expression

B-10

ICME

Transformations in Museum Practice Through Intergenerational Change

B-11

ICMEMOHRI, MUSIC

The Landscape of Memory and Resistance Through Music and Performance

B-12

ICOM ARMS & MILITARY

Academic Program

B-13

ICOM COMMS

Youth Power—Co-Creation, Activism, and Digital Fluency

B-14

CIMUSET, UMAC

Collecting the Digital: Rethinking Materiality in Science and University Museums

B-15

INTERCOM, ICOMON

Leadership and Strategic Advocacy

B-16

ICLCM

Literary and Composers’ Museums, House Museums of Writers and Musicians towards the Future

B-17

ICR, ICMAH

Interpreting History and Archaeology at Regional Museums – Beyond Display and Innovative Interpretation of Archaeological Heritage

B-18

CAMOC

Cycling Cities: A Research Model for City Museums

B-19

COMCOL

The Future of Collecting

B-20

ICOM EXHIBITIONS

Traveling Exhibitions Workshop

B-21

ICOFOM

Young People Shaping the Future of Museology through the Lens of the SDGs

B-23

NATHIST, SUSTAIN

How sustainable is the future in light of the rapidly changing environmental and social effects on communities?

B-1 AVICOM

Digital Transformation in Cultural Heritage: Leveraging Data, AI, and Digital Tools in the Production and Dissemination of Audiovisual Content

B-2 CECA

Presentation of CECA’s Research, Best Practice and Young Members awards

B-3 CIPEG

Youth Power and New Technologies

B-4 COSTUME

Homo Viator. Dressing Nomads, Travelers, Migrants and Pilgrims.

B-5 GLASS

Future Museums of (GLASS) and Rapidly Changing Communities

B-6 ICAMT

Museum Architecture and Techniques and New Technologies

Session B
12th November 2025, 16:30 – 18:00 (Subject to Modifications)